Festival '98 :: A Celebration of Irish Film
Le Cinéma Irlandais: La Voix D'une Nation
A Celebration Of Irish Film: Voices Of The Nation
March 26 - April 19, 1998 ◊◊ 55 films in 25 days
Thursday, March 26
Gala Opening :: Premiere of Neil Jordan's yet to be released…
Avant premiere du film de Neil Jordan
18h00
The Butcher Boy
(Neil Jordan, 1998)
Conférencier invité / guest speaker: John Griffin, Film Critic, The Montreal Gazette
Friday, March 27
Day 2
19h00
Window
(Steve Woods,1998, 6mins)
Bogwoman
(Tom Collins, 1997)
21h00
Homeboy
(Mary Mullan, 1996, 26mins)
Irish Cinema:
Ourselves Alone?
(Donald Taylor Black, 1996)
Saturday, March 28
Day 3
16h00
The Boy From Mercury
(Martin Duffy, 1996)
19h00
Snakes And Ladders
(Trish McAdam, 1996)
2lh00
The Company Of Wolves
(Neil Jordan, 1984)
Sunday, March 29
Day 4
14h00
Into The West
(Mike Newell, 1992)
19h00
Orpheus
(Edith Pierperoff, 1998, 26mins)
November Afternoon
(John Carney, Tom Hall, 1996)
21h00
Mona Lisa
(Neil Jordan, 1987)
Tuesday, March 31
Day 6
19h00
An Bonnan Bui
(Padraig O'Neill, Edith Pierperoff, 1995, 20mins)
Moondance
(Dagmar Hirtz, 1994)
21h00
The Outcasts
(Robert Wynne-Simons, 1982)
Wednesday, April 1
Day 7
20h30
Guests Of The Nation
(Denis Johnston, 1935)
19h00
West Of Kerry (The Islandman)
(Patrick Keenan Heale, 1938)
Thursday, April 2
Day 8
19h00
Mutt
(Ian Lawton, 1996, 10mins)
Hush-A-Bye Baby
(Margo Harkin, 1990)
2lh00
Guiltrip
(Gerard Stembridge, 1995)
Friday, Apr 3
Day 9
19h00
The Imperial Message
(Damien O'Connor, 1996, 7mins)
The Uncle Jack
(John T. Davis, 1996)
Le réalisateur était present / the director was present
21h00
We're No Angels
(Neil Jordan, 1989)
Saturday, April 4
Day 10
14h00
Homeboy
(Mary Mullen, 1996, 26mins)
Irish Cinema: Ourselves Alone?
(Donald Taylor Black 1996)
l7h00
Ireland 1848
(Steve Woods, 1996, 12mins)
Power In The Blood
(John T. Davis, 1989)
Le réalisateur sera present/the director will be present
19h00
Window
(Steve Woods, 1998, 6mins)
How To Cheat In The Leaving Certificate
(Graham Jones 1997)
Le réalisateur sera present/the director will be present
21h00
Summertime
(Eve Morrison, 1995, 27mins)
Draiocht
(Aine O'Connor, 1996)
Sunday, April 5
Day 11
14h00
Round table discussion with the directors John T. Davis, Graham Jones.
/ Table ronde avec les réalisateurs John T. Davis, Graham Jones, etc.
17h00
Shellshock Rock
(John T. Davis, 1978, 52mins)
Dust On The Bible
(John T. Davis, 1991, 52mins)
19h00
35-A-Side
(Damien O'Donnell, 1995, 29mins)
How Far Home
(Brendan J. Byrne, 1997, 38mins)
21h00
In The Name Of The Father
(Jim Sheridan, 1994)
Tuesday, Apr 7
Day 13
19h00
The Miracle
(Neil Jordan, 1990)
21h00
Racing Homer
(Peter McKenna, 1997, 26mins)
Man Of Aran
(Robert Flaherty, 1934)
Wednesday, Apr 8
Day 14
19h00
The Pear Bottle
(John Paul Tansey, 1995, 26mins)
Rocky Road To Dublin
(Peter Lennon, 1968)
21h00
The Dead
(John Huston, 1987)
Thursday, Apr 9
Day 15
19h00
The Crying Game
(Neil Jordan, 1992)
21h00
Interview With The Vampire
(Neil Jordan, 1994)
Tuesday, Apr 14
Day 20
19h00
Walter Ego
(Jody Gannon, 1998, 7mins)
Traveller
(Joe Comerford, 1981)
21h00
Michael Collins
(Neil Jordan, 1996)
Wednesday, Apr 15
Day 21
19h00
Mise Eire
(George Morrison, 1959)
21h00
Acceptable Levels
(John Davies, 1983)
Thursday, Apr 16
Day 22
19h00
Angela Mooney Dies Again
(Tommy McArdle, 1997)
21h00
Reefer And The Model
(Joe Comerford, 1987)
Friday, Apr 17
Day 23
19h00
The Last Of The High Kings
(David Keating, 1996)
21h00
Guy's Dog
(Rory Bresnihan, 1997, 11mins)
Ailsa
(Paddy Breathnach, 1994)
Saturday, Apr 18
Day 24
14h00
The Secret Of Roan Inish
(John Sayles, 1994)
19h30
Gala Closing Performance
I Went Down
(Paddy Breathnach, 1997)
Conférencier invité / guest speaker: John Brady, author of the Inspector Matt Minogue detective series.
Sunday, Apr 19
Day 25, Final Day
17h00
Hear My Song
(Peter Chelsom, 1991)
19h00
December Bride
(Thaddeus O'SulIivan, 1990)
21h00
My Left Foot
(Jim Sheridan, 1988)
REMERCIEMENTS
ACKNOWLEDGMENT
Air Canada * The St. Patrick's Society of Montreal * Hurley's Irish Pub * McKibbin's Irish Pub * The British Council *
L'Hotel Ritz Carlton * L'Ambassade d'Irlande / The Embassy of Ireland * The Irish Film Archive *
Concordia University [Marc Gervais, Peter Rist] * John Griffin * Trish McAdam * Joe Comerford * John T. Davis *
et tous les réalisateurs irlandaise / and all the Irish filmmakers *
Cine Gael Committee {Lynn Doyle, Fiona Dujardins, * Dana Hearne, Anthony Kirby, Antoine Maloney, *
Mary McDaid. Shane McGovern, Beverly * McGuire, Kevin Tierney, Patrick Vallely.
For graciously providing prints of the films shown:
BBC London * Besom Productions Ltd., N. Ireland * Clarence Pictures. Dublin * John Davies, London *
De Facto ?lms, Galway * East Lane Films, Dublin * Gael-Linn, Dublin * Hollywood Films, Belfast *
Graham Jones, Dublin * High-Hat Productions, Dublin * Hot Shot Films, Belfast * Irish Film Archive, Dublin *
Irish Film Board, Dublin * Peter Lannon, London * Lion's Gate Films, Montreal * Merlin Films, Dublin *
Miramax Films, New York * Parallel Film Productions, Dublin * Polygram Television, London *
Poolberg Productions, Dublin * Proinsias Ni Ghainne, Galway * The Shooting Gallery, New York *
Temple Films, Dublin * Tolmayax Co., Ltd., London * Treasure Films, Dublin * Warner Brothers, Toronto.
Conservatoire d'Art Cinematographique
Directeur: Serge Losique
Dir. de programmation: Danièle Cauchard
Coordination: Maggie Lattuca
Ciné Gael cordially invites you to attend a Round Table Discussion
Recasting Irish Identity
The success of recent Irish cinema has played a big part in propelling the country into global prominence.
The old songs were about emigration; has this forever changed'? We ask: To what extent does modern Irish Film
refect the Ireland of to-day? What impact has modern Irish film had on how the Irish see themselves and on how the world perceives them.
De Seve Cinema,
Concordia University, 1400 de Maisonneuve West.
Sunday, April 5 at 2pm Admission Free
The Panel
Fiona Downey is the popular host of the CBC programme Home Run. She has a long-time interest in things Irish and has graciously consented to moderate the discussion.
Denis Sampson of County Clare is a Professor of English Literature at Vanier College. In 1993 Denis published an acclaimed study of the novelist John McGahern. His soon-to-be-published book is a study of Brian Moore. Denis is interested in the techniques that are employed in translating from the printed page to the screen; both McGahern and Moore have had success in this area.
Dana Hearne of Dublin, is a professor of Irish Studies and Women's Studies at John Abbott College. Dana also teaches Women's Studies at Concordia University. She is particularly interested in the prominent role played by women in Irish cinema today.
Paul Salmon is Film and Literature instructor at the University of Guelph. He is both an enthusiast of and an authority on Irish film. His most recent accomplishment has been to design and facilitate the first fully web-based cinema course in Canada.
John T. Davis '...unquestionably Ireland's most creative and adventurous film-maker'.
(Ted Sheehy, Film Ireland). Four of John Davis's films are presented in our Celebration of Irish Film. Graham Jones is from the Republic of Ireland. The film How to Cheat on the Leaving Certi?cate, his debut feature, has just been released. The title alone is intriguing to anyone who has spent even a day in the Irish school system.
Jones is part of the new wave of Irish film-makers; interested film-goers will be looking at his work signs of where Irish cinema is headed.
Presented as part of Festival '98 by Cine Gael Montreal and Montreal Conservatory of Cinematographic Art
Gala Closing Performance
Saturday, April 18 at 7.30 pm
Paddy Breathnach's
I Went Down
Playful and self-assured, Breathnach's film creates a very funny, sometimes absurd picture that hinges
on several finely drawn characters from the Irish criminal community. Geoffrey Gilmore says of this film:
'With an exhuberant tone and a rude, even impudent attitude, this maverick film embraces non-conformity.
Guest Speaker : John Brady, author of the Inspector Mart Minogue series of mystery stories,
is uniquely qualified to introduce us to the background of the characters in this story.